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The Shadow of the Future Fell Upon Us

In the year 2001, the Usenet newsgroup alt.lifestyle.furry had been in existence for five years since it’s beginning in June 1996, and its first post in August 1996, and had become a popular site for furries around the world to communicate online. By the year 2000, 540 Furveys from newsgroup participants had been posted, indicating approximately the number of people participating. Posting news and comments on furry topics was the intent of alt.lifestyle.furry, but topics other than furry had become common. Beginning on September 11, their discussion became intensely focused on the terrorist attacks that occurred in the United States and which would soon affect many people all over the world.

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Editorial: On Irony

Sixteen years ago, I was a not-so-wee lad just starting his freshman year of high school. I had grown a foot and a half in the previous few years, and my voice had fallen down the staircase from alto to baritone. I had just come out to my mom as gay. My favorite saying, which my step-mother hated, was “sarcasm makes the world go ’round”.

And I had just found furry. That too.

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The Furry Canon: Watership Down (Roundtable)

This article in our series debating the Furry Canon is a roundtable discussion of Watership Down by Richard Adams, first published in 1972. Your panelists are JM, Jakebe and Huskyteer.

JM

Jakebe, Huskyteer

Thanks for letting me lead off this roundtable exploration of Watership Down for the [adjective][species] Furry Canon project. Jakebe, I know that this is a book close to your heart, as it is close to the heart of many lapine furries, and by asking me to read and comment you’re risking have me piss all over something personally important.

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The Furry Canon: The Chronicles of Narnia

Guest post by HuskyteerHuskyteer writes stories and poems about talking animals. Most of these are published within the furry fandom, but sometimes one escapes into the wild. She enjoys motorcycle adventures, aviation museums, karate and cider.

It’s one of the most iconic moments in literature. Even if you haven’t read the books, or seen a TV or cinema adaptation, you’re probably familiar with the image of a little girl walking through the back of a wardrobe into a snowy forest lit by an old-fashioned streetlamp. Both the scene and the title of the book – The Lion, the Witch and the Wardrobe – are sufficiently recognisable to be used as shorthand and appear in parody.

If that scene is all you know, it’s worth delving deeper. As well as the wise and noble, but also slightly terrifying, Aslan – ‘not a tame lion’ – there are creatures ranging from sublime unicorns to ridiculous but heroic mice. Badgers, bears, moles, mice, not to mention non-humans like centaurs, fauns and dryads (the Narnian mythos tends towards the classical).

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Capitalism, and why it is good for the furry fandom

Furries, or so it seems to me, have a split in their views. When it comes to sex, we are all in favor for allowing two individuals to get up to whatever they want, so long as they both consent. However, when it comes to money, we suddenly become a lot more wary about letting others make their own decisions. Surveys done by [adjective][species] seem to agree with this; finding social liberalism much higher than economic liberalism. It would seem that attitudes are correct on the former, but these are contradicted by the latter. In this essay, I will attempt to show why capitalism, and a free-furry-market, are ultimately a huge boon for the fandom.

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The Meaning of Furry

Up until this point, there has been a lot of discussion around furry; on what it means to be a furry, how the identity interacts with the way we see the world, etc… However, it is often beneficial to reflect upon the things we have said, and the way in which we use words. I believe, and will attempt to show in this essay, that we hold an incomplete grasp of words within the context of furry.

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Looking at post-con depression through a lens of literary theory

When I first heard about the concept of post-con depression, the idea made a lot of sense. We have a massive community of people who meet each other over sites like Twitter, Tumblr, Reddit, and various furry art hubs. These groups of people travel across or fly over states, countries or in some cases continents and oceans to see these online friends possibly once a year for a weekend, if that.

That’s already bittersweet.

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Acceptance and Affurmation: Examining Queerness and Normativity Within the Furry Fandom

Guest post by Oxley. Oxley is a relatively new member of the fandom, having only been actively involved for a year–at the time this article was written, he hadn’t attended any conventions, but hopes to continue his work in this area at Midwest Furfest 2016. He is currently looking for feedback and other opinions on this article, and can be reached at his email.


The year is 2015, and marriage has finally been confirmed as a right for all Americans, whether gay, straight, or otherwise. Though the legislation has brought the queer community (sometimes referred to as MOGAI, or “Marginalized Orientations, Genders Alignments, and Intersex”) farther than it has ever been before in its fight for civil rights, talk of marriage now overshadows other important LGBTQ+ issues: many groups still find themselves marginalized and vulnerable in society. As the struggle slowly progresses, though, queer America has found both allies and enemies in the strangest of places. Individuals from some of the most conservative corners of politics have shown solidarity to the queer community, as have major corporations and brands. Nonetheless, their backing has often been motivated by political or economic gains—after all, in many places it would be considered political suicide to denounce marriage equality. Rather, various other communities and subcultures have often proven to be most readily and enthusiastically supportive of social progress. Countless YouTube stars have advocated for marriage equality or even used the site as a medium through which to come out, while common names in music have vehemently opposed restrictions on marriage.

Perhaps the most perplexing source of support for queerness in America, though, comes from the ever-controversial furry fandom. For years, furries have had intrinsic ties with the queer community, as only a minority within their numbers are straight. While furries as a whole have certainly never been a strong voice against equality regarding gender and sexuality, though, their advocacy of gay rights is nonetheless imperfect, and often detrimental to those who do not fit the more easily-recognized definitions of “queer”—that is to say, the transgender population. Still, observing a subcommunity as being a largely queer space offers a peculiar analysis of it, from an angle that is not often used. That said, the intersections between the queer community and the furry fandom provide a valuable insight into modern conventions of normativity, and the queer community’s interactions with society as a whole.

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The Furry Canon: Equus

Equus, Peter Shaffer’s 1973 play, features a cast of humans and horses. The horses, of course, are humans dressed as horses. They are intentionally abstracted, usually wearing nothing equine beyond minimalist horse heads and tack that never obstruct their human faces. The horse costumes are the extent of bodily anthropomorphism in the play. The horses’ actors and actresses move like horses; they do not speak. Why do I render my verdict, then, that Equus belongs in the Furry Canon?

[EDIT: After warranted critique, I’ve decided to reverse my verdict. While Equus should not be part of the Furry Canon, I think it addresses matters relevant to the furry experience, albeit torqued by mental illness. Read on for my reasons.]

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