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The Furry Canon: The Chronicles of Narnia

Guest post by HuskyteerHuskyteer writes stories and poems about talking animals. Most of these are published within the furry fandom, but sometimes one escapes into the wild. She enjoys motorcycle adventures, aviation museums, karate and cider.

It’s one of the most iconic moments in literature. Even if you haven’t read the books, or seen a TV or cinema adaptation, you’re probably familiar with the image of a little girl walking through the back of a wardrobe into a snowy forest lit by an old-fashioned streetlamp. Both the scene and the title of the book – The Lion, the Witch and the Wardrobe – are sufficiently recognisable to be used as shorthand and appear in parody.

If that scene is all you know, it’s worth delving deeper. As well as the wise and noble, but also slightly terrifying, Aslan – ‘not a tame lion’ – there are creatures ranging from sublime unicorns to ridiculous but heroic mice. Badgers, bears, moles, mice, not to mention non-humans like centaurs, fauns and dryads (the Narnian mythos tends towards the classical).

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Capitalism, and why it is good for the furry fandom

Furries, or so it seems to me, have a split in their views. When it comes to sex, we are all in favor for allowing two individuals to get up to whatever they want, so long as they both consent. However, when it comes to money, we suddenly become a lot more wary about letting others make their own decisions. Surveys done by [adjective][species] seem to agree with this; finding social liberalism much higher than economic liberalism. It would seem that attitudes are correct on the former, but these are contradicted by the latter. In this essay, I will attempt to show why capitalism, and a free-furry-market, are ultimately a huge boon for the fandom.

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The Meaning of Furry

Up until this point, there has been a lot of discussion around furry; on what it means to be a furry, how the identity interacts with the way we see the world, etc… However, it is often beneficial to reflect upon the things we have said, and the way in which we use words. I believe, and will attempt to show in this essay, that we hold an incomplete grasp of words within the context of furry.

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Looking at post-con depression through a lens of literary theory

When I first heard about the concept of post-con depression, the idea made a lot of sense. We have a massive community of people who meet each other over sites like Twitter, Tumblr, Reddit, and various furry art hubs. These groups of people travel across or fly over states, countries or in some cases continents and oceans to see these online friends possibly once a year for a weekend, if that.

That’s already bittersweet.

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Acceptance and Affurmation: Examining Queerness and Normativity Within the Furry Fandom

Guest post by Oxley. Oxley is a relatively new member of the fandom, having only been actively involved for a year–at the time this article was written, he hadn’t attended any conventions, but hopes to continue his work in this area at Midwest Furfest 2016. He is currently looking for feedback and other opinions on this article, and can be reached at his email.


The year is 2015, and marriage has finally been confirmed as a right for all Americans, whether gay, straight, or otherwise. Though the legislation has brought the queer community (sometimes referred to as MOGAI, or “Marginalized Orientations, Genders Alignments, and Intersex”) farther than it has ever been before in its fight for civil rights, talk of marriage now overshadows other important LGBTQ+ issues: many groups still find themselves marginalized and vulnerable in society. As the struggle slowly progresses, though, queer America has found both allies and enemies in the strangest of places. Individuals from some of the most conservative corners of politics have shown solidarity to the queer community, as have major corporations and brands. Nonetheless, their backing has often been motivated by political or economic gains—after all, in many places it would be considered political suicide to denounce marriage equality. Rather, various other communities and subcultures have often proven to be most readily and enthusiastically supportive of social progress. Countless YouTube stars have advocated for marriage equality or even used the site as a medium through which to come out, while common names in music have vehemently opposed restrictions on marriage.

Perhaps the most perplexing source of support for queerness in America, though, comes from the ever-controversial furry fandom. For years, furries have had intrinsic ties with the queer community, as only a minority within their numbers are straight. While furries as a whole have certainly never been a strong voice against equality regarding gender and sexuality, though, their advocacy of gay rights is nonetheless imperfect, and often detrimental to those who do not fit the more easily-recognized definitions of “queer”—that is to say, the transgender population. Still, observing a subcommunity as being a largely queer space offers a peculiar analysis of it, from an angle that is not often used. That said, the intersections between the queer community and the furry fandom provide a valuable insight into modern conventions of normativity, and the queer community’s interactions with society as a whole.

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The Furry Canon: Equus

Equus, Peter Shaffer’s 1973 play, features a cast of humans and horses. The horses, of course, are humans dressed as horses. They are intentionally abstracted, usually wearing nothing equine beyond minimalist horse heads and tack that never obstruct their human faces. The horse costumes are the extent of bodily anthropomorphism in the play. The horses’ actors and actresses move like horses; they do not speak. Why do I render my verdict, then, that Equus belongs in the Furry Canon?

[EDIT: After warranted critique, I’ve decided to reverse my verdict. While Equus should not be part of the Furry Canon, I think it addresses matters relevant to the furry experience, albeit torqued by mental illness. Read on for my reasons.]

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The Furry Canon: Black Beauty

Would I recommend Anna Sewell’s 1877 classic Black Beauty for inclusion in the furry canon? Yes, but with one qualification: the book’s central conceit is innovatively furry; the rest of the book is not.

I will begin with the furry element of Black Beauty: it is, as its subtitle proclaims, the auto-biography of a horse. More than just the story of a particular, modern horse’s life—not merely as a symbolic or allegorical gesture—it is a horse’s life told in the first person. In his own voice, Beauty guides us through the daily adventures and boredoms of a horse’s life, commenting on his masters’ behavior, his material condition, and his emotive reaction to it all. Though Beauty never vocalizes an English word, he is a talking horse by virtue of the fact that he addresses us.

And I am sorry to say it, but this is the extent of the book’s anthropomorphism. Despite his internal rational faculties, Beauty is definitely a horse. Throughout the entire book, I waited for him to act in some way that would reflect the thoughtfulness of his narration, but no: this is not a fantasy, and Sewell makes sure that Black Beauty’s behavior fits solidly within equine parameters.

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The Second [adjective][species] Poetry Collection

The moon hangs full and heavy over the clearing, and a bonfire crackles in the still night, sending up swirls of orange sparks as each log falls into ash and ember. Its smoke carries the fragrance of white sage and cedar, of sandalwood, of myrrh. Its light dances over the pattern of stripes, the white ruff, and at last the burning eyes, a wash of gold over emerald as the tigress’ gaze catches and holds.

Greetings, traveler, and welcome. You have the look of a seeker about you — how well I know that restless heart!

There are others of your kind here, ancient and modern, their songs dreaming, wondering, praising. Here, in their words, you might find a moment’s peace, or perhaps there will only be more questions. On a night like this, who can say? Those might be spirits gathered out there, beyond the reach of the flames — but then again, it may only be a trick of the light. That might be a drumbeat; it might be a heartbeat; it might only be your own.

The fire is lit. The smoke is rising. In the end, all questions become one:

Will you come and join the dance?

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Clair C and the limits of anthropomorphism

Clair C is an unusually prolific furry comic artist. She has several long comic collections, including Animal Crossing and Harvest Moon satires, the delirious Unicorn in Black, and her ongoing comedy/adventures The Flying Lion and Mythical Adventures.

Yet perhaps her best work is not a long story, but her collection of one- or two-page comics, published under the title Slices of Something.

Slices of Something is thematically united by its exploration of the boundaries of an anthropomorphic universe. The comics are, to a furry reader, immediately engaging and funny and, to a lay reader, befuddling. Her ideas are subtle enough to feel magical, yet deep enough that the magic doesn’t fade when you manage to put your finger on exactly what she’s doing.

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