JM Horse wrote an article Monday titled “The Role of Criticism Within Furry, or: Buy This Article,” which described pretty well the state of reviewing within the furry community (defined both as reviewing of furry works and reviews by furries, which are more or less a perfect circle Venn diagram at this point in time). There were a couple things he missed, namely describing some of the reasons particular to the furry community that shape the state of reviews. He also only really touched on the role of reviews in the fandom, so I’d like to offer my perspective as a long-time author in the fandom.
As he wrote, furry is a tight-knit community, and most members are also creators of one sort or another (note the number of disclaimers in this post). This is why I don’t generally review furry fiction unless I think it is something worthwhile that most people will overlook (Rukis’s “Heretic” was an example). Many other authors take this tack, and we have very few people in the fandom who are, like Fred Patten, dedicated readers, not authors, and good enough writers to pen a review.
Continue reading The Role of Reviews in Furry: Another Perspective
The majority of furries create and contribute to our community in one way or another. Few furries are just consumers.
Our art encompasses a wide range of media, with a focus on creations that help bring our imaginary furry world to life. We have a lot of visual artists and a lot of writers, and it’s no surprise that two of our biggest online gathering places—Fur Affinity and SoFurry—were originally settled by each of these two groups.
With so many contributors and contributions, it’s inevitable that the quality of art is often pretty poor. That’s a good thing, because we are an inclusive community, where the emphasis is on contributing and sharing, rather some race for a prize. Furries draw and furries write because they enjoy the process, and because they are contributing to the collective community. In many cases, people hope to improve and aspire to take their art further. It’s the sort of collaborative environment that creates artists, and we within furry can be proud to have bred and encouraged so many talented people.
Some artists—the focus of this piece is on furry writing, but it equally applies to visual art—look to sell their works, in either hard-copy format or as ebooks. Those works that are for sale, ideally, should represent the best of furry writing and be worth their cost to the buyer. Sadly that is not always the case.
Continue reading The Role of Criticism Within Furry, or: Buy This Article