Tag Archives: publishing

Furry Writing – Fall / Winter 2016

Guest post by Thurston Howl. Thurston is the editor-in-chief of Thurston Howl Publications. The author of several novels, short stories, and poems, he prides himself in the Ursa Major Award winning essay collection he edited, Furries Among Us. He received his BA in English at Vanderbilt University and his MA in English at Middle Tennessee State University. Aside from running a publishing house, he teaches English at a local college, plays piano, dances, and is actively training to be a coffee connoisseur.

The past several years, a growing trend has entered the furry publishing market: the anthology. While anthologies became a most popular form of literature, particularly in genre fiction in the mid-twentieth century, it wasn’t until the 1990s that the furry anthology became a popular form of furry literature (explicitly marketed to the furry community). By now, however, almost every furry publishing house has their own signature annual anthology. FurPlanet has its Bad Dog Books anthologies, FANG and ROAR (both having just published their seventh volume). SofaWolf has the mostly erotic collection, HEAT (now with thirteen volumes), and New Fables. Rabbit Valley Press publishes the annual Tales from the Guild, featuring writers from the Furry Writers Guild. Thurston Howl Publications recently started its series, SPECIES, in which each volume centers on a different furry species. Note that most, if not all, of these houses publish many other anthologies every year, with Altered States; Inhuman Acts; and Gods with Fur coming to mind immediately. These types of furry anthologies have been the recipients of many awards, including the Ursa Major Award and the Coyotl Award.

Perhaps, it is no wonder that the genre has reached such popularity. Anthologies, especially in the furry fandom, have a myriad of strengths:

  1. They allow multiple authors a simultaneous chance at publication, drawing in a clientele for publishing houses.
  2. They allow readers diversity when they buy the books.
  3. They are easier ways for authors to build their writing credits; easier than a full-on novel contract.
  4. They are much easier to market as fifteen authors are sharing with friends and family, rather than just one.
  5. Having an annual anthology series builds a repeating fanbase, with fans who want Volume 2, Volume 3, etc.

Plus, the anthologies give incredibly unique flavor to the personas of each publishing house. Fred Patten has written numerous articles on the various differences between the houses, and many of these differences are reflected in their anthologies. While one favors sci fi and fantasy, another favors more erotic elements.

In essence, furry anthologies are great for the publishers, the writers, and the readers: a win-win-win scenario.

With the end of the year fast approaching and with the rise of new smaller houses, such as Thurston Howl Publications and Weasel Press, it is often a challenge for writers to either find the right calls-for-submissions (CFS) or keep up with the constant barrage of deadlines. Here is a link for a general schedule of CFS until the end of the year. This schedule provides all links to the submission guidelines as well as provides the same basic information listed below.

Below are some details for the upcoming anthologies:

Civilized Beasts – Poetry — October 1

  • Publisher: Weasel Press
  • Payment: Print copy
  • Editors: Dwale and Munchkin
  • Theme: This is a not-for-profit poetry anthology about animals with the following sub-theme in mind: “outside observation of animals, in the mind of animals, symbolism of animals.”

The Dogs of War — October 1

  • Reprints allowed: no
  • Word count: 4,000-20,000
  • Editor: Fred Patten
  • Payments $0.005/wd and print copy; future discount on print copies
  • Publisher: FurPlanet
  • Theme: “These can range from actual warfare to peacetime training-camp scenarios (which may be humorous) to recruiting; from large division operations to small commando actions. They can range from funny-animal multispecies armies to armies of one species versus another; from fighting in animal civilizations to uplifted animal soldiers fighting in human wars. The emphasis should be on military action, not politics; but as Clausewitz defined war as “the continuation of politics by other means”, a story may be heavily political as long as military action is at least threatened. Despite the title, which is a Shakespeare reference (to Julius Caesar), we want stories with a variety of anthropomorphic animals; not just dogs.”

Zoomorphic Anthology of Oceanic Life – Fiction and Nonfiction — October 10

  • Multiple subs: no
  • Word count: 500-3,000
  • Publisher: Zoomorphic
  • Theme: This will be ZOAC’s first printed anthology and centers around marine life.

Seven Deadly Sins: Furry Confessions — November 1

  • Word count: 2,500-8,000
  • Payment: Print copy
  • Reprints: acceptable
  • Multiple subs: up to three
  • Editor: Thurston Howl
  • Publisher: Thurston Howl Publications
  • Theme: Seven Deadly Sins has been a literary trope for centuries, popularized by Italian poet Dante. They are as follows: pride, greed, lust, wrath, gluttony, envy, and sloth. This collection will be divided respectively into the seven parts. We want to see anthro-animal characters at their darkest and weakest moments: at the whorehouse, at the chopping block, in the morgue, in the dining room with the candlestick. It is perfectly fine but not required if submissions are NSFW. We are honestly expecting a fair amount of horror—especially in Wrath—and erotica—especially in Lust. However, again, adult stories are by no means required for acceptance. All story submissions must be “furry” in nature.

Purrfect Tails — November 1

  • Editor: Tarl Hoch
  • Word count: 3,000-10,000
  • Payment: $0.005/wd
  • Simultaneous subs: no
  • Multiple subs: yes
  • Theme: Nekos: A neko is a female or male character with cat traits, such as cat ears, a cat tail, or other feline characteristics on an otherwise human body. These can range from just having the ears and tail, to having a light downy fur, slitted eyes, retractable claws, pointed teeth, etc. What we are NOT looking for is anthropomorphic feline characters. (ala: Furries) Neko girls and boys have been a staple in manga and anime for as long as those have been a thing. Ranging from saucy sex kittens to innocent pet characters, these nekos have been engaging readers, pulling them into fascinating stories of all types. This anthology is centered on engaging erotic stories that are about these feline beings. The story MUST have a neko character (boy or girl) who is either the main character or a major character. The neko character MUST be involved in the sex, and the sex has to be hot, explicit and needed to move the plot and story forward. The erotic content can be straight, bi, gay, or some combination thereof. The erotic content does not need to be vulgar or super graphic, but if that style fits the story then go for it. We are looking for erotica, not porn. Romance is welcome but not a requirement for the erotica. Ideally, we are looking for positive ending stories. This does not mean you cannot have a sad ending, just that there won’t be as many of those stories accepted into the anthology.

Equus — November 30

  • Payment: $10.00; print copy
  • Reprints: no
  • Simultaneous subs: acceptable
  • Multiple subs: no
  • Word length: under 7,500
  • Publisher: World Weaver Press
  • Theme: “Horses are represented in mythology and folklore from Paleolithic right up to modern times. What is it about these magnificent creatures that fascinates us and captures our hearts? Is it their intelligence, their power, their beauty or something else that draw us to them? That is just one of the questions we’re going to explore in Equus. I will be looking for stories about every kind of horse from the earthly to the mythological and though I’ll be placing a special emphasis on horses, unicorns and Pegasus, every kind of magical equine is welcome (and really, aren’t they all magical?). Stories with a strong sense of place will have an advantage, as will those which explore the connection (for better or for worse) between equines and humans.”

The Symbol of a Nation — December 1

  • Publisher: GOAL Publications
  • Editor: Fred Patten
  • Word count: 2,000-15,000
  • Reprints: no
  • Payments $0.01/wd; print copy
  • Note: email editor before starting story
  • Theme: “Furries that are the national animals of countries, such as Afghanistan’s snow leopard, Algeria’s fennec, Bangladesh’s tiger, Canada’s beaver, Denmark’s mute swan, Estonia’s barn swallow, France’s rooster (fighting cock), Gambia’s hyena, Honduras’ white-tailed deer, Italy’s wolf, the U.S.’s bald eagle … There are over 200 countries and most of them have a national animal or bird. For this anthology, we are extending the theme to the official animals of provinces and states. There are several animals such as the koala (Queensland) and platypus (New South Wales) of Australia, or the giant squirrel (Maharashtra) and red panda (Sikkim) of India, or the coyote (South Dakota) and raccoon (Tennessee) of North America that are not national animals, but are the official animals of provinces or states. But: this is limited to the officially adopted animals (including birds) of national or sub-national entities only. No sports team mascots, corporate mascots like the NBC peacock, political party mascots, or breakfast cereal mascots. No fictional official animals or countries like Transylvania and vampire bats. However, some countries have both a national animal and a national bird, such as Chile – its animal is the huemal, an Andean deer, and its bird is the Andean condor. We will accept stories featuring either or both. Please make sure that they are official. There are many animals that are often associated with countries, such as the eagle & snake on the Mexican flag, or Mexico’s Chihuahua, but they are not official animals. (Mexico’s official animal is the xoloitzcuintli. Don’t know what that is? Look it up.) If you would like to submit a story, write to the managing editor (Fred Patten) first to find out if that animal or country is already claimed. If you would like to use an animal or country but don’t know what to pair it with, ask the editor or look it up. Stories sent to the editor without checking first may be wasted effort. The rules are more complex than for most furry anthologies. (1) There must be a connection between the animal and the country. If you feature a tapir, the national animal of Belize, make sure that there is something about Belize in the story. (2) No funny animal stories where the characters could just as easily be humans. Make your characters feel like uplifted or evolved animals. Most animals with fur don’t sweat. (3) Try to match the animals to their environments. If they have thick fur, don’t have them wearing thick clothing in humid tropical lands. (Or justify the discrepancy.) Stories may be humorous or serious. There may be humans in the story as secondary characters, but the main character(s) should be furry.”

If you are considering submitting to any anthology, always remember to look closely at the guidelines to make sure you send the proper file format to the right editor. Hell hath no fury like an editor’s scorn at seeing their pet peeves. If ever you have questions / concerns, you can generally feel free to email an editor to seek advice on a particular concern. Plus, seeing your willingness to open a line of communication only speaks praise of your ability to communicate effectively if they do accept your work.

Submissive Roles: Writing for Furry Anthologies

Guest post by Huskyteer. Huskyteer is a writer, motorcyclist, aviation geek and full-time husky. Her fiction can be found on SoFurry as well as in the pages of Heat, ROAR, Allasso and Hot Dish.

Writing in the furry fandom is seen as the poor relation to art, and there are plenty of articles discussing why that is so. Here’s where we writers score over the artists, though: the pool of furry authors is tiny by comparison, and you could count those operating at a professional level on the pads of one paw. The downside: the market, and the rewards, are correspondingly small. However, most creative furries, whatever form their art takes, get started out of love for the craft, and because they have stories to tell, rather than in the hope of fame and financial reward.

Many furry fiction writers cut their teeth on fanfiction (The Lion King, in my case) before moving on to tales of original characters posted on Fur Affinity or SoFurry. Although the internet provides a way to get your work in front of a huge number of people, from all over the world, in a matter of moments, some of us still crave an appearance in traditional print publication.

One way to make the leap from screen to page is to contribute a short story to a furry anthology. Based on my own experience, I’ll describe about how to go about it, how the process works, and the pros and cons of anthology writing.

Continue reading Submissive Roles: Writing for Furry Anthologies

Publishing Furry

In his recent article Of Rabbits and Rayguns, Phil Geusz described his fight to get the mainstream publishing industry to accept furry fiction. Phil is an accomplished writer, and he and I share a number of views and goals. He has chosen a different path than I have to attain those goals, but I think both paths are valid. In response, or perhaps complement, to his article, I’d like to offer my own thoughts.

I have for the past decade been becoming more and more familiar with the furry publishing industry. I have good friends at Sofawolf and FurPlanet and we talk business on a number of occasions. As a fairly high-profile author, I am always trying to figure out ways I can make our joint business more successful. At the same time, over the past two or three years, I have been talking with and listening to more people in the larger SF publishing world; mostly authors, but also some editors.

Continue reading Publishing Furry

Of Rabbits and Rayguns

I’ve been a semi-professional writer for many years now. I published my first short
story in about 1999, and since then have written and published about twenty-
two or twenty-three vaguely book-length thingies (I tend to write a much higher
percentage of novellas than most authors, frequently sold to the public as shorter
than standard books) plus I’ve lost count of how many shorts. While I mostly write
furry and furry SF, I also do horror, non-furry SF, essays, fantasy and even good old
conventional literary fiction. So I know the publishing industry a little, or at least I
think I do.

Over the past year, I’ve achieved my first real landmark success in the David
Birkenhead books, in which a young slavebunny is manumitted and finds success
in a future navy despite all the social roadblocks that lie in his way. Each book in
the series is titled after the rank that David achieves during the course of the story,
from Ship’s Boy to Admiral. Currently my publisher and I are ecstatically selling
well over a thousand copies a week. So far so good and yay for me, right? Maybe.

Continue reading Of Rabbits and Rayguns